Shop Considerations: Epoxy-carbon fiber, Utility and Retreatability

Bill Ralston, Independent cabinetmaker and restorer

Board Stretching in the Early 21st Century

Charles A. Phillips, Architectural Conservator, Winston-Salem, NC

Waterlogged Wood from the USS Monitor: A New Direction for Research and Collaboration

Susanne Grieve, Conservator, The Mariner’s Museum

A Method of Acoustic Detection of Wood-boring Insect Larvae

Emmanuel Maurin, Researcher, Laboratoire de Recherche des Monuments Historiques, France

New Evidence for the Use of Imported Raw Materials in 17th C Japanese Export Ware

Arlen Heginbotham, Associate Furniture Conservator, J. Paul Getty Museum

History and Technology: George Washington's Frame

William Adair, Gilding Conservator, Gold Leaf Studios

As the Carousel Turns: New Ways of Removing Aged Grease and Oil From Shelburne Museum’s Dentzel Carousel

Nancie Ravenel, Objects Conservator, Shelburne Museum

Inspired by the French-American Partnership: Louis Majorelle Furniture Treatments at the Virginia Museum of Fine Arts

Kathy Gillis, Conservator, Sculpture and Decorative Arts, Virginia Museum of Fine Arts

A Minimally Intrusive Upholstery Method for an Overstuffed Victorian Chair

Donald C. Williams, Conservator, Museum Conservation Institute, Smithsonian Institution

Globe Chair, Adhesion and Cohesion:  An Interior Problem

Dana Melchar, Furniture Conservator, V&A Museum, London

The Black that Never Was: Decoding Color in the Marquetry of J. F Oeben

Clara von Engelhardt, Furniture Conservator, Leipzig, Germany